<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0">
  <channel>
    <title>aesthetics</title>
    <link>http://interfas.univ-tlse2.fr/odore/89</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
    <item>
      <title>How can olfaction contribute to the reception of a theatrical work? A few thoughts on the semiosis of scent in the theatre</title>
      <link>http://interfas.univ-tlse2.fr/odore/231</link>
      <description>The current proliferation of odorized shows means that smelling has now become an additional modality of theatre reception. However, the use of scent on stage remains relatively untheorized to this day. This article analyses two cases in which scent is autonomously capable of contributing to a performance: the olfactory intrusion, which manifests the primacy of diegetic reality, and the informative charge which scent acquires through cooperation with other dramaturgical constituents. The article concludes with a call to recognise the semiotic power of scent, particularly in political theatre. </description>
      <pubDate>mar., 19 mai 2026 19:51:15 +0200</pubDate>
      <lastBuildDate>ven., 19 juin 2026 17:30:40 +0200</lastBuildDate>
      <guid isPermaLink="true">http://interfas.univ-tlse2.fr/odore/231</guid>
    </item>
    <item>
      <title>Comment l’olfaction peut-elle contribuer à la réception d’une œuvre théâtrale ? Esquisses d’une réflexion sur la sémiotisation des senteurs au théâtre</title>
      <link>http://interfas.univ-tlse2.fr/odore/82</link>
      <description>La multiplication des spectacles odorisés fait que le sentir s’affirme désormais comme une modalité supplémentaire de réception du théâtre. Pour autant, l’utilisation de la senteur sur la scène reste relativement peu théorisée. Cet article analyse deux cas où elle se montre capable de contribuer à un spectacle de manière autonome : l’effraction olfactive, qui manifeste la primauté de la réalité diégétique, et la charge informative dont elle se dote par coopération avec d’autres constituants dramaturgiques. Il conclut sur un appel à reconnaître son pouvoir sémiotique, particulièrement dans le théâtre politique. The current proliferation of scented performances means that smell has now established itself as an additional mode of theater reception. However, the use of scent on stage remains relatively untheorized. This article analyzes two cases in which scent is shown to contribute to a performance in its own right: olfactory intrusion, which demonstrates the primacy of diegetic reality, and the informative power scent may acquire through cooperation with other dramaturgical components. It concludes with a call to recognize the semiotic power of scent, particularly in political theatre. </description>
      <pubDate>ven., 24 avril 2026 19:23:57 +0200</pubDate>
      <lastBuildDate>ven., 19 juin 2026 17:28:44 +0200</lastBuildDate>
      <guid isPermaLink="true">http://interfas.univ-tlse2.fr/odore/82</guid>
    </item>
  </channel>
</rss>