http://interfas.univ-tlse2.fr/odore/231 The current proliferation of odorized shows means that smelling has now become an additional modality of theatre reception. However, the use of scent on stage remains relatively untheorized to this day. This article analyses two cases in which scent is autonomously capable of contributing to a performance: the olfactory intrusion, which manifests the primacy of diegetic reality, and the informative charge which scent acquires through cooperation with other dramaturgical constituents. The article concludes with a call to recognise the semiotic power of scent, particularly in political theatre. Tous les numéros Recherche en olfaction en sciences humaines et soc... Dossier thématique / Thematic Section fr mar., 19 mai 2026 19:51:15 +0200 ven., 19 juin 2026 17:30:40 +0200 http://interfas.univ-tlse2.fr/odore/231 0