http://interfas.univ-tlse2.fr/lineaeditoriale/2874 Voci di indice fr 0 http://interfas.univ-tlse2.fr/lineaeditoriale/2918 Acqua di colonia de la compagnie Frosini/Timpano (2016) est un spectacle politique. Pourtant, il serait erroné de le définir engagé, du moins dans l’acception traditionnelle de cet adjectif. Loin de reproduire la dialectique scène-salle caractéristique du teatro di narrazione (Ascanio Celestini, Marco Paolini, Marco Baliani), le duo d’artistes romains sape les fondations du rapport complice entre le narrateur et son public. Sollicitant une prise de conscience des spectateurs sur les origines des sentiments racistes sans les pousser à l’action, Acqua di colonia propose une esthétique de l’inconfort qui met en crise le regard et la responsabilité des spectateurs. Acqua di colonia by the Frosini/Timpano company (2016) is a political performance. However, it would be wrong to define it as engaged, at least in the traditional sense of the word. Far from reproducing the stage-audience dialectic characteristic of the teatro di narrazione (Ascanio Celestini, Marco Paolini, Marco Baliani), the Roman duo of artists undermines the foundations of the complicit relationship between the narrator and their audience. By prompting spectators to become aware of the origins of racist sentiments without inciting them to action, Acqua di colonia offers an aesthetic of discomfort that challenges the spectators' perception and sense of responsibility. ven., 04 sept. 2026 09:26:03 +0200 ven., 16 oct. 2026 17:18:10 +0200 http://interfas.univ-tlse2.fr/lineaeditoriale/2918