http://interfas.univ-tlse2.fr/lamaindethot/516 Texts, literary or journalistic, can quickly become fragments - as a result of selective re-readings, revisions, citations, excerpts and the need for effect: "all the world's a stage" as we know. For texts that originate in another language, in this case, in German, the fragmentation effect is even stronger as useful excerpts are put to work in the target culture without readers having access to the source text. Translation may work toward de-fragmenting and re-membering such texts, recreating/reinterpreting them, collecting the pieces and reprising them for another time, another place, another readership or audience. And yet translation, like memory work, can also misrepresent, create and simply 'make things up' to fit the needs of the present. This article discusses these issues in regard to Ulrike Meinhof's journalistic presence and career in 1960s Germany, which has to some extent been re-membered in English through a recent research and translation project, Everyone Talks about the Weather. We Don't!, ed. Karin Bauer, Seven Stories Press, NYC, 2008. Numéros Miscellanées Traduction et mémoire fr mer., 17 mai 2017 13:46:07 +0200 jeu., 08 mars 2018 09:13:39 +0100 http://interfas.univ-tlse2.fr/lamaindethot/516 0